Monthly Archives: July 2010

Sketch: Knot

Yesterday I had a giant knot in my back.  I felt slightly crippled and was walking around my house like an old lady.  It was such a distraction that I had to doodle it out.

It felt like:

And

And

But then:

Inspired by this random little offshoot, I began a whole new drawing.

Thoughts of the annoying pain disappeared as I imagined what the knot might look like, jumbled and wound tight.

(click to enlarge)

Art Therapy!

I shared this drawing with Jake and we decided to make this an Eagle & Wolf collaboration.  Thanks, back pain!

-LW

Sketch: Strange Creatures

It may have been the sun.  It may have been the drink.  It may have just been my imagination, working in it’s own mysterious ways.

A Frenchie named Olivier saw me drawing and asked me to make him something.

I signed it and soon the drawing will travel back to France.

Later:

This warm Portland summer continues.  The river calls, your friends fill the patios, my bikes sit lonely with their engines cold.  It takes a lot these days to turn my head and keep on drawing.

-LW

New Portfolio

Hat #2, from my Portfolio

I enjoyed creating the portfolio site for Eagle & Wolf so much that I decided to transfer my own portfolio to Cargo as well.

Previously, my portfolio was being hosted by Other People’s Pixels, another artist-only portfolio community.  While I appreciated the ability to upload my art with little effort, in the end it costs more than Cargo.  More importantly, you can view the images much larger on Cargo, and you can utilize slideshows!  And most importantly, I am able to ditch the “mingle” domain name and embrace my full name on my new site (for those of you who don’t know me, it’s a long story!).

So, please check it out: www.maryannahoggatt.com.  The work spans from 2007 – present (and I’m still adding content), so there are many pieces that have not been featured here.

-LW

Uninspired: How to Stay Creative

Painting by my lovely friend Melody

It happens to the best of us; last week there were a couple of days where the hours stretched ahead of me, and I had NO motivation to do anything.  Yes, there are plenty of projects for me to work on, and for an artist like me who must hold a regular job to pay the bills, the free time I get to work on these projects is very precious.

So, what to do?

I’ve compiled a small list of things that help get me moving on days when I’m stuck in a rut.

1. Get Out of the House

This isn’t always my first option, but when I’m sitting at the desk, sighing and staring a blank piece of paper with no further action, sometimes it’s the best option.  Some days I run a couple of errands.  Other times, I go on a treasure hunt at the thrift store.  Finding cheap, awesome crap to put in the house is a good way to warm the blood.

This magical time of year (aka, Portland Summer), if you can avoid driving, do it.  I recently acquired a Bianchi Milano cruiser bike.  Even though I’m used to motorized two-wheelers, I’m really excited to explore the city the self-propelled way.

2. Get Off the Computer, Open a Book

There are so many resources on the internet, from blogs to art sites and online portfolios.  Many times, these can offer inspiration too, but it just isn’t the same as cracking open a real book.  I’ve been building quite the library with Jake.  Many of these new books I picked up at Goodwill, or found new, cheap comics at various local shops.

gasp!

Image from above book

The other day, when I was feeling supremely unmotivated, Jake surprised me at work with a new Wyeth collection book (and a brownie!).  It couldn’t have been a better pick-me-up.

3. Surround Yourself with Things You Love

When you work from home, it’s important that your environment is filled with things that make you happy and inspire you, and don’t distract you from working.  Many of the objects in my home lend themselves to my artwork.

Some of the things I love:

A glass hand; Leftover skeleton from Halloween; My collection of earrings; The smallest plant in a sake cup; A desert terrarium I just built; A skull from Arizona.

4. Draw Outside the Box

When I am feeling creative, but I’m not sure how to get started, I change my studio environment entirely.  I go to the coffee shop, or sit at a good patio with a beer (Apex, in SE Portland!), and draw the first thing that comes to mind.  If I’m lucky, these kind of drawings lead to other, bigger ideas.  Spontaneous drawing like this also allows me to be a bit more experimental, when certain client projects don’t.

The result of my last outing:

5. Give Yourself a Break

Theo has the right idea.

Probably the most important advice I must give myself.  On my days off, I can too easily stay indoors all day, working on paper and on the computer.  As a bartender who works in a loud, crazy environment, when I go out I prefer to enjoy a good meal and conversation.  I make sure that I divide my time equally between work and play.  There is no better way to recharge yourself for a new day of Hustlin’.

-LW

Eagle & Wolf Launched!

I am very pleased to announce that my collaboration site with Jake is finally up and running.

Visit the site here!! www.eagleandwolf.net !!

Since we took on the task of building the website ourselves, the process took a bit longer.  Jake, who is the most computer-savvy, has his hands full as art director at Taow Marketing, so I had to patiently sit and twiddle my thumbs until the site reached the point where I could add all the content myself.

This is the general feeling I had upon completion:

Expect the site to change here and there as we fine-tune a few things.  Now all we have to do is add more collaboration work!

-LW

Alice Thanks / The Boys Club

To show my appreciation for a recent job, I sent out this handmade card as a Thank You.

I ripped out a few pages from an old children’s book that featured Alice in Wonderland in it’s collection of stories.

I then took a piece of tracing paper, folded it in half, and created a card by manipulating the images with my own drawings.  The see-through quality of the tracing paper creates a nice ghostly effect.

I then sent the card out the old school way – by mail!  With the slew of emails, texts, & internet social networking that make up our daily communications, I always love to receive something concrete and hand-written in the mail.

++++++

I am pleased to share a book that I am CRAZY IN LOVE WITH!!  It makes me giddy!

The artist in question: MATT FURIE

I have had a love affair with Matt Furie’s work for quite some time now, but over the weekend I introduced myself to his comics by picking up his 2006 Boys Club from local comics shop Cosmic Monkey in NE Portland.

Matt Furie’s style embodies classic 80′s cool with a laid-back SoCal vibe that I can immediately associate with.

LOOK AT THIS

ARE YOU IN LOVE YET???

WHAT ABOUT NOW?

It’s like all your favorite 80′s childhood toys mashed together with awesomely weird, hyper-colored creatures that just want to hang out and be your dude-buddy.

Furie’s comic, Boys Club, embodies this notion.

OMG OMG….they are so awesome they give me heart palpitations.  I implore you to run out and buy this little comic now!  It’s only $5!

To see more of Matt’s totally radical drawings, visit his website.

Peace Out!

-LW

Birthday Inspiration: Andrew Wyeth

Today is my birthday, and I just so happen to share the same birthday with one of my all-time favorite artists, Andrew Wyeth.

1917 – 2009

(image by Jim Graham)

For my 25th birthday a few years ago, I received the book, Andrew Wyeth: Autobiography, as a gift.  It still stands as one of the best gifts I’ve ever gotten.

This book is a must for any Wyeth fan, and a good introductory book for those who aren’t familiar with his work.  Not only does it feature many of his best paintings (138 reproductions spanning 6 decades), but a small explanation by Wyeth himself also accompany each piece.  They are often humorous, revealing, and offer great insight into the mind of an artist.

Wyeth is perhaps best known for his painting, Christina’s World, 1948:

One of the most well-known American artists of the 20th century, Wyeth was popular with both the American public and art collectors.  Art critics?  Not so much.  They felt he was overly sentimental.  During the height of his career, he was a representational artist lost in a sea of abstraction.

Battleground, 1981

Pennsylvania Landscape, 1942

Crows, 1944

The thing is, Wyeth was very sentimental, in a very genuine way.  He divided his time between rural Pennsylvania and Maine, developing a love affair with the land, the people that resided there, the houses, the meadows, every blade of grass – and he painted all of them.

Snow Flurries, 1953

Of Snow Flurries:

“I spent almost a year on this tempera because I was fascinated by the motion of those cloud shadows on that hill near Kuerner’s farm and by what the hill meant to me.  I’ve walked that hill a hundred times, a thousand times, ever since I was a small child, so it was deathless as far as I was concerned.  I could probably just paint a hill for the rest of my life……”

Tempura is a medium in which you mix dry pigment with egg yolk.  This method TAKES FOREVER – many of Wyeth’s paintings took more than a year to complete.

Image from Look magazine, photographer unknown

The Kuerners, 1971. A humorous painting of his neighbors.

Among his many awards, Wyeth received the Nation Medal of Arts of 2007 – the ultimate high five to any artist.  In 2009, Wyeth passed away in his sleep at his home in Chadds Ford, Pennsylvania, at the age of 91.

photo by Bruce Weber

I celebrated my birthday yesterday with a trip to the Portland Art Museum to view the R. Crumb exhibit.  Today, as I reflect on what it means to be the big 2 – 9, I will probably enjoy a delicious cocktail with my favorite fellow artist, Jake.  Til next time.

October in July

I am feeling gloomy today.  So, as I gently languished in the warm oven that is my house, I spent a little time making a drawing that has some decidedly October flavors to it.

This is Tom Petty:

Tom Petty kinda-sorta reminds me of a scarecrow.  I’m not really sure why.  It might be his lanky frame, his straw-like flaxen hair, and his all-american music that makes me think of the Midwest and good ol’ boys and farmland.  Don’t get me wrong – I am really fond of Tom Petty, sometimes my mind just makes weird associations.

I mean, come on:

Stick that guy in a field!

So, while listening to the Heartbreakers the other day, I had this immediate vision.  Today felt like a good day to draw it out.

Here’s the intial line drawing with color wash:

When I had first envisioned it, the scarecrow looked very much like Tom Petty, and he had a rickety old guitar made out of sticks strapped to him.  Perhaps that is meant to be an Eagle & Wolf project.  Today, it’s just a regular ol’ scarecrow.

The finished piece, after I applied charcoal and colored pastel:

Back to languishing!

-LW