Monthly Archives: August 2010

SKETCH : I Think I’m in Love

(click to enlarge)

Disorganization.  I hate it.

I am, however, slowly and surely falling in love with this sketchbook.

I don’t utilize a sketchbook very often.  I am more of a “cut-to-the-final” artist, preferring to work on finished and polished pieces.  And I don’t recall ever filling an entire sketchbook.  Not even once.  Several books line my shelf that are half-filled, random doodles loosely lie together on scraps of paper in a drawer.

I am always envious of those artists who can religiously doodle away (click on that if you want to puke with envy), filling book after book.  The sketchbook itself becomes an art piece, a small chapter of their life filled with random thoughts, emotions, observations, experiments, texture, lines, and shapes.

This book, though, has potential.  I have already drawn in it FOUR TIMES in two days.  Ohmygod.

I tested out ink wash today (yup, with those stripeys), and I love the way the paper reacts to several techniques – dry brush, wet wash, wet – on -wet, and the company didn’t lie – this paper don’t buckle.  Awesome!

AND

It lays perfectly flat for those ambitious double spreads.  And black ink IS black (unlike Bristol, where black is kinda greyish).  Dudes, it just makes me want to draw!

I mean, this may be a phase, but quite possibly I have found the perfect sketchbook.

Alright, a NEW SKETCHBOOK!

I was on a mission to purchase a new “on-the-go” sketchbook with the intention of buying a Moleskin.  However, the art store I went to didn’t supply Moleskins, so I had to look for an alternative.

I ran across this Hand Book Journal Co. sketchbook, in “Large Portrait” format.  Similar in construction to a Moleskin – hard cover, elastic band, and envelope in the back – there are more heavy-weight pages, and it’s slightly cheaper!  At 8.25 x 5.5″, it may be the perfect travel size.

Naturally, I christened it as soon as I got home.

Along with this new sketchbook, I feel like I have a whole new set of books, since Jake and I have mashed our libraries together.

I just started re-reading one of my favorite books, Watership Down, and so I had bunnies on the mind.

I haven’t tried any ink washes in the new sketchbook, and I am hoping this book fulfills my mobile needs.  Full report to come soon.

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It was my co-worker’s “dirty” 30th birthday the other day, so I created this Ralph Steadman-esque birthday card for him.

Happy Birthday, dude!

SUMMER SLOTH

My posting has slowed down considerably in the last few weeks, and truth be told I haven’t been in the studio much.  Here in Portland we’ve been kind of robbed of a decent summer (and yes, it slowly slippeth away as I speak), so we are taking advantage of the sunshine while we can.

On a recent trip to Cannon Beach, I forgot my sketchbook.  Bummer! / Not Really.

So, here are a couple of photos instead.

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I am still spending some time on projects when I can ignore the lazy summer long enough.

I recently spent an afternoon lugging around artwork, stacking, organizing, shifting, and filing, preparing my studio space to make room for fellow artist Jake.   Soon we will be doodling in a shared workspace.  Plans for more Eagle & Wolf collaborations are in the works as well, and hopefully, some more drawings for you, too.

INSPIRATION: IT’S ON RECORD

John Cusack reorganizing his record collection in High Fidelity

The vinyl collection between Jake & I isn’t massive, but there are plenty of gems I’ve been collecting over the years.  Besides providing the soundtrack to various moments in my life, I also love records for their imagery – bigger and more impactful than a measly CD, the gatefold of a vinyl record can be like a work of art.

Here are some of my favorites.

(click on any image to enlarge)

The Beach Boys, Sunshine Dream – Front and Back

This record cover is loaded with trippy imagery in quintessential 60′s design.  I love the Eagle Eye perspective of the surfboarder, complete with a random pizza surfing the waves with him.  This is a record cover that blends well with the beachy jams held inside.

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Animal Collective, Merriweather Post Pavilion

A deceivingly simple design, look closely – this cover is actually an optical illusion.  It really looks like it’s breathing!

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Karen O and the Kids, Where the Wild Things Are Motion Picture Soundtrack

Siggghhhhh.  This album is so good.  And the still image used for the cover is perfectly matched with crooked, off-balanced “handwritten” font.  Looking at this cover just makes me happy.

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David Bowie, Aladdin Sane, Front Cover &  Gatefold


Simply iconic.

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Silversun Pickups, Swoon

I love the fine-art quality of this cover.

The scratches are not a part of the design – those were created by my former evil, EEEEEvilll pet dog, Rascal.  Luckily he did not get to the record inside (unlike my favorite Otis Redding album).

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Salt N Pepa, Tramp (Single), Featuring Push It

I was really stoked to discover this gem in the singles rack.  It immediately takes me back to being a little kid living on the East Coast in Maryland, wearing my over sized Looney Tunes shirts and hairspraying my bangs into a giant wave on top of my forehead.  Check out that logo in the upper right – very clever.

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The Flaming Lips, Embryonic

This image is just bizarre.  I don’t even know what it is, really, but it caught my eye immediately in the record shops.  I love the intense, highly saturated colors and the yellow scratches overlaying the image.  The photograph is one that could have sexual overtones, but, it doesn’t.  It’s just weird.

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T. Rex, The Slider, Front & Back

Black, White and Red, this cover is immediately eye-catching.

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The Sugarcubes, Deus (Single)

Man, my scanner couldn’t even do this justice.  The question mark is an amazing super neon orange – this cover just pops.

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Waylon Jennings, Greatest Hits

Good ol’ Waylon!  Faux leather, gold trimmed lettering, the flying “W”, and Waylon’s hat breaking the border – I love this cover.  It reminds me of being back home in Arizona.

I think it’s time to put my turntable to use.

-LW

A Moment of Silence, Please

I am the kind of person who greatly values solace – I relish in the silence, the time alone with my thoughts, the only sounds being the soft scratching of pen or pencil on paper.  It helps balance me out, as a large chunk of my time is spent dealing with the public and the insanity of working in a bar.

I managed to escape into the park today and sat under a tree with my sketchbook.  This giant tree was literally raining sap into the muggy air, and I happily sketched and didn’t say a single word to anyone.

These two curmudgeonly old men are big supporters of silence.

As I do sometimes in conversation, last evening I reached for the closest piece of paper and began doodling.  This paper happened to be my insurance bill.  Jake provided the wavy, “R. Crumb”, stinky lines.

Time to return to the loud outside world.

Until next time,

-LW

A Bit Long

I have yet another friend staying at my house for awhile, so opportunities to draw are very slim.

And speaking of slim here’s an oldie from last year.

This piece is very long and thin – about 1 ‘ x 8 ‘.  It never made it to my portfolio site because, well, it’s very difficult to photograph a work of such proportions.

The actual piece reads horizontally, so imagine you are viewing this from left to right.

Titled, Oh Man, Please Don’t Let This End, this piece now resides in a friend’s home.

-LW