Tag Archives: Sketches

Ghosts | Part I

Artist Jennifer Parks is part of the Pony Club Gallery collective and was kind enough to include me in this upcoming show in April.  Naturally, I’m pretty excited about the ghoulish theme.

If you follow me on Instagram, you’ll already know about some of the sketches and studies I’ve been doing for my contribution; a black & white number of spirits in the dark forest.

Since I’ve finished these drawings, I feel ready to move on to the final piece.  OOOH!  Exciting stuff, indeed.

 

Initial sketch

Ghost studies

Small pencil draft

Materials study

I don’t normally perform this much prep work, but there are many components of this drawing that I needed to sort out besides a composition.

I played around with a few “cutesy” spirits before settling on decidedly more “creepy” spirits.  I also wanted to integrate more of the bleeding paint technique that I developed with my last art show, Sticks + Stones, so I did a painted forest study.

And then there was the matter of the ghosts themselves – should I paint them in gouache?  Allow the white of the paper itself to embody the spirits?

Tracing paper has an inherently ghostly quality, so it seemed the most natural choice.  Plus it’ll be like working with little ghost dolls!  Cutting them out and adhering them to the dark forested background will be a fun challenge in itself.

Look for glimpses of the final piece in the coming weeks, as I bounce around the different projects I’m working on.

Hats Off

I started off drawing to distract myself from my tummy aches, but ended up drawing about it instead.

Brush vs. Tablet

It came as a surprise to me that Renata Liwska, illustrator of the well-received children’s book The Quiet Book, digitally colors her pencil drawings.

Perfectly suited with a muted palette, the pictures of this book are so soft and inviting that they immediately caught my attention when they were featured in Communication Art’s Illustration Annual (2010).

I have a Wacom Tablet that has been quietly collecting dust in a closet, and on a whim today I pulled it out for an experiment.

I had drawn this little guy:

Yes, on lined paper.  Hey!  I was doodling.

I quickly did some digital washes in Photoshop over the pencil work and erased some of the lines.  Lastly, I applied a softly multiplied layer in the shade of Old-Timey.

And you know what?  Meh.  I really did not enjoy doing all the color on this digitally.  I’ll even say I did it grudgingly.

So, I retraced the original sketch, and inked the lines in Micron pen.  I gratefully picked up my trusty brushes and dabbed watercolor onto the drawing.  A dash of charcoal, and voila!

Dudes, it was so, so much faster.  Old school, forever and ever.  And, my scanner did a good job of picking up the texture of the vellum paper.

So what the heck?  I scanned in the painted sketch and did some digital  magic on that, too:

For some interesting behind-the-scenes by Renata Liwska, Amazon.com has posted some process photos for her upcoming book, The Loud BookHave a look-see!

 

Mouthy

 

While discussing an exciting new Eagle & Wolf project with Jake (details coming soon!), I doodled on small scraps of paper.  Who knew a China Marker would be so fun to draw with?

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And, while I would have been pleased with anyone who had won my Print Giveaway, I was fortunate to have fellow blogger Cynthia Long win the contest, because she made this great post about it.  Thanks, Cyn!

 

 

 

 

Spirited Away

 

The Art of Spirited Away is filled with insightful character development sketches and several pages of loose watercolor drawings, but the real beauty lies in the breathtaking background images.  A blend of paint and digital work, these lush backgrounds show off an astounding attention to detail.  Paired with the amazing story, it’s no wonder that Spirited Away won an Academy Award and remains one of the highest-grossing films in Japan.

While browsing through this book, I noticed an eye (last image) that seemed to pop up in various backgrounds.  I wonder what the significance of this symbol is to director Hayao Miyazaki?

 

 

 

 

Sketchin’ and Bike Gawkin’

Doodles from the past week.  My sketchbook is happy to be getting love again.

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On Saturday, Jake and my buddy Carey went to The One Motorcycle show, featuring lotsa vintage and custom motorbikes.  There was a huge turnout and many, many cans of PBR.

Alas, we did not bring a decent camera to the show.  Bummer.

There was artwork there, too.

We stumbled upon this soft sculpture, and I recognized the work immediately from the first time I took notice during the Portland Zombie Walk.  I spotted a small stack of cards next to hand-stitched PBR cans and have put a name with the work.  The sculptures are made by local artist Kelly Rundle.

Here’s a much, much better photo of the soft bike from her site:

And here are other examples:

Ahhhh!  So rad.

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Beware the artist with felt marker in hand.  You may be the next victim/delightful recipient.

 

 

 

 

One Sketch and Two Delicious Books

Sketchy – Sketch

And

A Children’s Book by Adam Rex

 

Title Page

This book is filled with fun little short stories about monsters and colorful illustrations.

And also

A Children’s Book by Emily Gravett

 

I am fond of this book because of the details – pages have been deliberately eaten away, inserts can be unfolded into maps, slivers of paper can be flipped up to reveal more text.  A very engaging book for a kid.

 

Sketch: Painting What You See (Sort Of)

Jake was innocently reading a book when suddenly I terrorized him with an impromptu sketchbook session.

The last time I drew in this sketchbook was in November…….WHOA.  Serious neglect (all for good reason, though).

I used an unusual technique for myself, where I first applied the watercolor, then encased all the colored blobs in line.  The trick to this method is to ignore the repeated chants of “this looks like shit” in your head; things don’t start to take shape until the pen is brought in.

Because it is such a loose, quick drawing (mmmmaybe  15 minutes), I attribute the slightly wonky qualities and off-register color blobs to a sloppy deft hand.

 

 

 

Yesterday’s Lemons

 

With the bustle of Christmas and the impending opening date for my solo show in one week (one week?!  EGAD.), I haven’t had much time for my little bloggy here, or my sketchbook.

Sometimes I swear I can hear my sketchbook crying at night, whimpering from neglect.

But alas, after next week I can breathe a sigh of relief and admire the fruits of my labor.  And gee, so can YOU!!  More on the coming-together of this show on my next post.

Eye Eye Eye

AND SO

Eye chart; source; Elizabeth Taylor as Cleopatra; still from the Dali film, Un Chien Andalou; from the US Dollar; M.C. Escher; source; Cyclops; David Bowie a la Rebel Rebel; source; Bette Davis; the rest of the images are of my own drawings.

Tattoos stabbed into our hands by kindly sir Dave Ski at Oddball Studios, in SE Portland.  Thanks Dave!